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Maybe it was rushed out-there was a turnaround time of only a year-but the repetition works on “Six Feet Under,” with a very catchy refrain of, well, the words “six feet under.” 71. Abel treats us to a chill bit of braggadocio before going darker and harder on subsequent tracks. This one’s the calm before the storm on Beauty Behind the Madness. “I keep telling myself I don’t need it anymore” he keeps repeating in an attempt to convince either us, himself or both. The trippy closer to After Hours pulls all the instrumental tricks out of that album’s playbook to simulate the cacophony of feelings he’s grappling with. Vocally, and production-wise, it’s great, and the fact that it’s so low on this list is just a testament to everything he’s done since. It’s hard to believe that this was originally the last track on House of Balloons. Lana Del Rey is the perfect addition to this moody piece. The lyrics on “Prisoner” get pretty dark as Abel reflects on his many addictions that he’ll never shake. It might’ve fit better on the second half of the album. It’s not a bad song, there are just a lot of better ones on Beauty Behind the Madness. This is another song on that theme, with grim lyrics and a bass-boosted beat that masks his despair. Ordinary LifeĪbel talks a lot about giving up everything for an ordinary life. Less can be more, and the chill, ambient vibes of “What You Need” do a solid job easing listeners into House of Balloons. The messy production (even on Trilogy ), perhaps a deliberate choice to simulate the feeling of a night out with The Weeknd at the House of Balloons, holds this one back from being a classic. This muddled fever dream of codeine and lean is lyrically chaotic. Sorta a meta-admission of his dark persona’s manipulative ways, “Die for You” is a deceptively upbeat ode to gaslighting. Would be ranked higher on this list if it wasn’t smack dab in between “Reminder” and “Secrets” on Starboy -two much stronger examples of Abel’s budding pop talent. This generic afterthought is slightly redeemed by its chorus and a kinda maybe interesting use of autotune? It still could’ve been cut, though. I’ll keep saying it: Starboy had too many damn songs. The refrain of “same old song” applies both to the girl trying to take advantage of him and this song, which is solid but treads on well-worn subject matter at this point in Echoes of Silence. Juicy J)Ī pretty good track that tackles one of Abel’s favorite Trilogy themes, potential. As it stands, it’s a pretty good part one with such lyrics as “I’ve got two red pills to take the blues away.” 85. If we ever see the second half of My Dear Melancholy, it’ll be interesting to see where this track leads. It’s good, but nothing to write home about. This is a reasonably middle-of-the-road song that would’ve been a B-side or cut altogether if it was on Kiss Land instead of Beauty Behind the Madness. Have I mentioned that there are too many tracks on Starboy ? 87. I like the beat, but there’s little else going for this poppy track. One of the less memorable tracks on Starboy. I’m including it for the sake of completion. Wilder still that it was the original closer to Thursday. Truly incredible that so little happens in this six minute song. It doesn’t totally work, and it’s not bad-it’s just boring. It’s just pretty silly to me that this collaboration exists. Maybe you like Ed Sheeran and this song, and I won’t take that away from you. Not really much to say about this one-just an interlude. You’ve likely already forgotten about it.
THE SONG SIMPLE BY THE WEEKND LOSERS MOVIE
This is not only The Weeknd’s worst song, but possibly one of the most disappointing and uninspired movie tie-in songs of all time. Devil May Cry ( The Hunger Games: Catching Fire ) Though it’s not yet Thursday, enjoy this deep dive into every Weeknd song so far, and remember, if it ain’t XO then it gotta go. Abel’s brand of dark R&B is utterly unique, and the likes of his talent hasn’t been seen since the King of Pop himself.
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With four studio albums, three mixtapes and an incredibly underrated EP under his belt, Abel Tesfaye, better known as The Weeknd, has consistently built a repertoire of hits over nearly ten years.